We are an open and inclusive collective of student artists and student entrepreneurs who band together for social contacts, artistic education and stimulation, entertainment and all things pertaining to the advancement of our dreams and careers in media, journalism, film, television, music, sound and video recording and distribution, set design, costume design, lighting design, concert, online innovations, photography, architecture, mixed and multi-media and dramatic performance.
Tuesday, 20 March 2012
Ignite Student Enterprise Programme is a Good Use of Welsh Assembly Funding
Recently I participated in the Ignite 2012 Student Enterprise Programme, this year held at the Cardiff University Conference Centre in Cyncoed, a suburb of Cardiff, the capital city of Wales.
What is Ignite?
"The Ignite programme offers you the chance to become more enterprising, creative, employable and learn more about setting up a business."
"Using the model of business start-up as a vehicle for enterprise skills development, the programme aims to cultivate innovative individuals who can spot opportunities, tackle problems and work out original and inventive ways to change things for the better."
During your time at university and afterwards, you will be invited to participate in workshops and seminars and courses, to help you apply and use the skills you learned in university.
These workshops roughly fall into three categories, and many overlap:
1) Programs to learn specific skills needed within the Creative Industries (New Media, Animation, Theatre, Film, Dance, Music, Fashion, Graphic Design, etc.) - these programs are designed to make you more employable.
2) Programs to teach you how to manage or run someone else's company.
3) Programs to teach you how to launch your own business.
From the quotes I posted above, you can see that Ignite fits into the category of extracurricular workshops offered to university students in Wales, which focuses on teaching you the skills needed to run your own business.
Every university usually has several highly-qualified staff members whose job it is to help students become entrepreneurs. They are called 'Enterprise Officers'.
At Ignite, these 'Enterprise Officers' have organized an intensive workshop over several days. Going to Ignite gives you an unusual chance to spend a lot of time with these officers, so that's one good reason alone to consider the course.
Every one of the Ignite enterprise officers I met were friendly, helpful and full of optimism, as well as being rooted in good, practical advice.
Here's the bottom line on Ignite: It does what it says on the box, and it does it well.
You will NOT learn everything you need to learn about running your own business at an Ignite Workshop - there are plenty of other programs and courses that can teach you the rudiments of writing a business plan, acquiring grants and start-up financing, etc.
Ask your Enterprise Officers to refer you to other programs that will do this . . .
But what Ignite promises to do, it does very well:
You basically attend a number of mostly informative classes during 3 days. During these 3 days you are placed into groups. Each group has to come up with an idea to make money within 24 hours.
Being in the groups is a good experience, because you get to network with other students like yourself. Each group has a sampling of student from each of the 5 universities that participate.
On Saturday, you get to pitch your idea as a group to a panel of business experts, similar to the TV show "The Dragons' Den". If the 'dragons' like your idea, they lend you 'seed' money to use for 24 hours.
By the end of the 24 hours your feel as if you and your fellow group members have become a type of family! Most of the groups are small enough so that everyone gets to contribute, each according to their own, individual talents and abilities.
I was impressed by how professional, respectful and kind all of the other students and staff were. Everyone seemed to have sense of being 'in this together'.
Ignite is a really great program for students, and I heartily recommend it! But is there room for improvement?
Yes.
The event is staged over 3 days and this is too short - it forces you to attend from 8 in the morning until 9.30 at night, and it's likely that this excludes students with families and work commitments.
If you are a student who lives in halls, or who shares a flat with mates, then this program is perfect for you. Your roommates will be intrigued by your involvement, and they might even be your first customers.
But if you are disabled, a single mother or father with kids to care for, or a student who is working their way through school, then Ignite seems to make demands which don't seem to consider students with limitations . . .
- I hope Ignite will fix this, because an enormous number of students attending Welsh universities are commuting students, who might be put off by the schedule of the event.
This criticism should not be exaggerated, since, if you can arrange any way to work around your personal limitations, then Ignite is really worth the time and effort - you will not regret it!
I suggest that disabled students ask up front what accommodation is being made for students who are physically unable to endure the rigorous schedule and physically demanding group activities.
A better solution might be for Ignite to run 2 sessions, one held over 3 days, which many young, single students with less demanding lives might enjoy, while also running a 2nd session later in the year targeting the groups that would seem to be left out of the planning.
That said, if you are a mature student, a commuter, a single parent or working parent, or a carer for someone sick, elderly or disabled, I would suggest that if you decide, based on these limitations not to participate, that you voice these concerns to the friendly and helpful enterprise officers at your respective institution.
Ignite is very well thought out program, and you will NOT regret being a part of it!
IGNITE OFFICIAL WEBSITE
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2012 Dr. Mark Leslie Woods
Sunday, 30 May 2010
Transmedia Storytelling and Alternate Reality Games
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Transmedia @ Universities
Students in the UK are fortunate to have the Skillset Screen Academy Wales and Skillset Academi+, which have lead the way, guiding their students toward sources of Transmedia production theories and practice in the UK and Europe.
Skillset Screen Academy Wales
Skillset Academi+
Christy authors a related blog and has submitted a PhD in transmedia, and has put together this useful blog entry:
"Each year I’m emailed by prospective students asking for information about universities in the USA and Europe that would be good for studying transmedia at the undergraduate or post-graduate level. Of course, the research approach you intend to use (are you researching narrative, game, interaction, marketing, media, art, and/or so on?) influences the choice; and one can study this area in just about every department at the post-graduate level. But attending universities with academics that are already familiar with the area would be a great help."
Read the full article here:
Transmedia @ Universities
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Tuesday, 20 April 2010
Channel 4 Production Trainee Scheme | C4 Talent
Channel 4 is on the lookout for new voices for their Production Trainee Scheme; talented people who are keen to spend up to 12 months with either a TV or new media production company, building the skills they need to launch their careers.
The important thing is that you can bring ideas, energy and real passion. In return, Channel 4 will bring you every opportunity to shine.
Channel 4 Production Trainee Scheme | C4 Talent
CHANNEL 4 PRODUCTION TRAINEE SCHEME
Opportunities with production companies nationwide.
We're on the lookout for new voices.
Talented people who are keen to spend up to 12 months with either a TV or new media production company, building the skills they need to launch their careers.
The important thing here is NEW voices. Which is why these schemes have been created for those who think they might never be able to break into the industry.
There could be a hundred reasons why: you may be disabled for example, or from an ethnic minority, or perhaps you've never seen the inside of a university.
Maybe you believe that your age could cause those doors to slam in your face. Whatever.
The important thing is that you can bring ideas, energy and real passion. In return, we'll bring you every opportunity to shine.
What you get
Training and experience. Lots of it.
There'll be on-the-job learning when you're with your assigned production company, as well as structured industry coaching sessions at Channel 4 and other top locations every month.
On top of all that, there's a generous training allowance of £17,000.
Channel 4 Production Trainee Scheme | C4 Talent
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Calling young filmmakers -- Get your film screened at Glastonbury Festival!!!
The Village Screen project, part of the London 2012 Cultural Olympiad, is looking for a mix of inspiring, funny, original and challenging films from young filmmakers, aged 12 to 24, to show on our big screens (25 metres squared) at the Glastonbury Festival, Wednesday 23–Sunday 27 June 2010.
We are looking for films in the following categories:
Welcome the World – an open call for silent films with a purely visual narrative, celebrating the values of the Olympic Games: Friendship, Courage, Determination, Excellence, Equality, Respect and Inspiration
Hug the Planet – supported by Natural England, in the International Year of Biodiversity, an open call for films with a strong visual narrative (not reliant on dialogue to get your story across), focussing on creative and innovative approaches to the five themes of sustainability in the natural world: Biodiversity, Climate Change, Healthy Living, Inclusion, Waste
Terms & Conditions of the Open Call for Short Films
Films should be submitted in DVD format and should be accompanied by a completed submissions/permissions form (downloadable here) by Tuesday 4th May 2010 to:
Gwen Joy,
Watershed
No 1 Canon’s Row
Harbourside
Bristol BS1 5TX
Neither the Village Screen project nor the Watershed can take responsibility for undelivered or lost content and recommends that “master copies” should not be sent under any circumstances.
Neither the Village Screen project nor the Watershed can commit to returning DVDs but will ensure that film-makers whose work is accepted for screening are informed;
Films can be made in any genre (animation; black and white; drama; documentary etc);
Filmmakers should avoid including commercial branding within the body of their films and, under no account, can include the names, brands or logos of commercial sponsors in the title sequences of their films;
Films can be made and submitted by individuals; small groups; or whole classes;
While we encourage entrants to improve their skills and seek the guidance of more experienced film-makers, we expect the creative ideas, content, camera work and editing to be the work of young film-makers;
To ensure those chosen to receive a pair of free tickets get them in good time, we will ask for the contact details of both prospective recipients in advance (on the submissions/permissions form); without this information we cannot consider you for tickets, though your film will still be considered for screening;
Those receiving free tickets will be expected to comply with the full list of terms and conditions issued by Glastonbury Festival (which will be sent to you with your ticket), but please note now that:
tickets are strictly non-transferable;
all under 16s must be accompanied by an adult;
ticket holders will be expected to bring and carry photo id at all times
• The decisions of the selection panel, ratified by the organisers of the Village Screen project, will be considered final.
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Monday, 19 April 2010
Openfilm - where creativity meets opportunity
April 15 – June 30, 2010
- Join Openfilm.
- Upload your film.
- Submit your short film to the competition.
- Pay your entry fee.
- Be sure your network knows to vote for you!
July 1 – 31, 2010
August 2010
September 2010
Prizes
Criteria
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Sunday, 18 April 2010
Saturday, 17 April 2010
There's time to enter Virgin Media Shorts
Virgin Media Shorts is a short film competition that champions undiscovered talent.
Whether you're a film maker or a film lover, there are loads of ways to get involved.
Read all about them below.
If you're a film maker...
Virgin Media Shorts gives you the chance to show your work in cinemas, on TV, online and on mobiles (via the mobile internet).Here's what's up for grabs:
12 film makers win a chance to show their work on 214 cinema screens nationwide
1 lucky winner lands £30,000 to make their next film.
1 People's Choice winner takes home thousands of pounds worth of new film kit.
Plus, we reward the college or school with the most entrants with loads of shiny new kit, too.
Entering is easy. Just check out the film spec. Then upload your film. The competition closes on 28 June 2010.
About Virgin Media Shorts
Here's what happens, stage by stage:
Initial stage
1. Submit your film (Your film can be up to 2 min 20 seconds) between 12 April and until noon on 28 June 2010 online at virginmediashorts.co.uk.
2. You'll need to agree to the competition terms and conditions before submitting your work. Check the required file format and film criteria within our Film Specification guide.
3. We'll look to showcase all the competition entries on the website.
Second stage - long list
4. Next, we'll long list a number of films. If you're one of them, we'll let you know and you'll need to provide your work in its highest quality, as set out in the Film Spec, by 15 July. We will also double-check your film clearances at this point, too. You will need to have your rights forms (actors, locations and music) ready at this point to progress in the competition.
Third stage - final shortlist
5. This bit is all about getting your work on the big screen in hundreds of cinemas nationwide. In the final stage, we'll select 12 films to contend for the Grand Prize. Each of the 12 films will be transferred to 35mm print and shown on 214 cinema screens in the UK, ready to be watched by millions of cinema-goers across the country. If selected, your film will be on the big screen for 12 months, starting in September, so its important that your original film master can be transferred technically and cinematically to the cinema screen.
6. We may also show your short film:
On TV
On TV on Demand, alongside 500 blockbuster films
On mobile phones or handheld devices
On the internet, both through internet TV and by downloading it from the site
Other places we think you might benefit from extra exposure
Fourth stage - Awards (Prizes)
7. There will be two prize-winners picked from the 12 films:
The Peoples Choice
We'll give power to the people, and ask the great British public to vote for their favourite film of the 12 shortlisted online. Get your friends and families behind you or simply let your work speak for itself!
The Grand Prize
A panel of judges, including industry experts, actors and directors will select one film maker from the 12 shortlisted to win the Grand Prize. That's the winner of £30,000 film funding and the chance to work with the UK Film Council and Virgin Media to make a short film.
The razzle dazzle awards ceremony
Of course, no competition would be complete without the glitz and glamour of an award ceremony. Ours will take place mid October 2010 in London and well announce the winners then. Start planning your red carpet arrival right away!
Final stage - winners, claim your prize
8. If you were the Peoples Choice, we'll contact you after the Awards Ceremony to arrange your prize.
9. If you won the Grand Prize, Virgin Media and the UK Film Council will get in touch to sort out funding and help you work out your next idea.
If you have any questions, you can always email us at shorts@virginmedia.co.uk
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Tuesday, 13 April 2010
How would you like to become an Assistant Film Editor? Read about Post Production Standards
Here's a sample of helpful info available from this site: American Cinema Editors
Film Blog for Assistant Editors might be of interest to film students and educators . . .
An interesting blog for assistant film editors is at Post Production Standards.
It looks to be a good place for standardizing editorial practices and sharing ideas. And its not just for assistants.
The LA Film School sponsored a seminar on editing in early 2007, hosted by Joe Byron. The panel included editors Stuart Bass, A.C.E., Tchavdar Georgiev, and Stephen Rivkin, A.C.E. along with assistant editors Andrew Charlton, Meagan Keane, and Alan McCurdy.
It was moderated by Harry Miller, A.C.E.
Topics include how each got into the film business, collaboration in the edit suite, creativity and the use of technology, and finally a Q&A with the students.
The series is posted on the web site Digital Content Producer, from the publishers Millimeter magazine.
To view the blog follow this link;
Post Production Standards
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
eDIT The Filmmaker’s Festival features top international speakers
eDIT The Filmmaker's Festival is an international platform for filmmakers from all disciplines of film production to meet and share ideas about how to make good films. After all, working in film means working as a team.
The Festival partners with the editors’ association A.C.E. and the European Federation of Cinematographers IMAGO to present a state of the art program around the creation of moving image as contemporary storytelling.
eDIT The Filmmaker’s Festival features top international speakers to present their work. The festival program focuses on visual effects, animation, cinematography, editing and production for cinema, television and advertising.
The Festival is visited by film-professionals from all areas with an emphasis on digital media and production techniques.
Altogether, the events of eDIT The Filmmaker's Festival register about 7.000 visitors annually, including about 30% students.
As in the past, eDIT: eDucation continues to provide an important service to pupils and students.
Festival screenings are catering to the public's interest in new international films.
The “Best of Festivals” series is used to showcase productions that are not commonly seen in German cinemas despite having received acclaim at international festivals.
The highlight of the festivities is the festival gala where outstanding filmmakers are presented with festival honors in front of a crowd of 800 invited celebrity guests from the film industry and society.
Also the extraordinary cultural program (featuring the likes of Grace Jones, William Forsythe, Nina Hagen, Branford Marsalis or Helen Schneider) makes the opening gala a highlight amongst the events of the fall.
The festival party or lounge marks the middle evening of eDIT The Filmmaker's Festival. It is the place to be for networking, entertainment, fun.
eDward is the international young filmmakers award of the eDIT The Filmmaker's Festival. An acclaimed international jury chooses the best 30-second-film on a given subject.
All filmmakers up to 30 years of age can participate.
With the State of Hessen, the City of Frankfurt and the Office for public broadcasting and new media in Hessen public bodies are funding eDIT The Filmmaker's Festival, enabling it to be an independent event, free of economic interest and obligations other than the pure commitment to the art and science of the moving image.
Be sure to log onto the festival website and sign up to the FREE newsletter!!!
See you at eDIT The Filmmaker's Festival!
You can learn more about eDIT The Filmmaker's Festival here:
eDIT The Filmmaker's Festival
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
fastshooters: short films and short documentaries database with free access
Fastshooters is an on-line database filled with short films & documentaries
All productions in the database are for sale ... (available rights)
The aim of this website / database is to bring filmmakers and Acquisition Managers, Programme Buyers, Distributors, Sales Agents, Co-Producers and other film & TV related professionals together.
For more info, follow this link:
fastshooters: short films and short documentaries database with free access
Fastshooters.com provides an online database of short films. Put your production on-line and reach a targeted audience of entertainment professionals actively seeking their next programming opportunity.
Searching the database is completely free of charge.
Adding your production information is also completely free of charge!
Although open to the general public, this site is especially interesting and useful for Acquisition Managers, Program Buyers, Distributors, Sales Agents, Co-Producers and other film & TV related professionals.
Main rules: the film has to be finished, maximum 25 minutes in length, and produced/finished after 1993.
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Monday, 12 April 2010
Need a film festival strategy? Kellie Ann Benz helps out - Industry Centre - National Screen Institute - Canada's national training school for writers, directors and producers in film, television and digital media.
Need a film festival strategy? Kellie Ann Benz helps out - Industry Centre - National Screen Institute - Canada's national training school for writers, directors and producers in film, television and digital media.
"Cannes only takes six short films into competition a year, so don’t waste your time or money unless you’ve got the backing of a federal or provincial agency who will push your film through the ranks.
Sundance and Tribeca celebrate American independent cinema so, again, unless you’ve got some big backing, save your money.
Toronto only programs Canadian short films, so by all means, submit.
After that a good list to study is the list of Oscar® recognized festivals which would be the ideal ones to submit to in your first year."
Read more here: Need a film festival strategy? Kellie Ann Benz helps out
http://www.nsi-canada.ca/need_a_film_festival_strategy_kellie_ann_benz_helps_out.aspx
Posted using ShareThis
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Sunday, 11 April 2010
How to write your first screenplay
AIM: ATRiuM Intelligent Media
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2010 Dr. Mark Leslie Woods
Tuesday, 23 June 2009
Young Welsh filmmakers take Glastonbury Music Festival 2009 by storm
[Pictured above: Glastonbury Music Festival 2008, Glastonbury]
Seventeen films made by young and emerging filmmakers from across Wales have been selected to be shown at this years Glastonbury music festival.
Paul McCartney - Hey Jude (Live) Glastonbury music festival 2004
Glastonbury Music Festival 2008
The "Village Screen" has been developed by the London 2012 Creative programmers as a way of providing a new platform for emerging filmmakers to show their work.
Over 85 hours of film from across the UK regions and Nations will be shown over five days [Wednesday the 24th to Sunday 28th June] and will be a wonderful way of engaging large audiences with London 2012 and the Cultural Olympiad.
The seventeen films selected from Wales include animation, documentary and live action films made by young people aged 8-18, a range of student films, professional short films and some low budget features.
The Welsh films will be broadcast on a huge 25m2 double-sided screen at the "meeting point" [one of the busiest junctions on site] on Saturday, ensuring every one of the 350,000 people at the festival will have the films in view.
[Pictured above: Wales Creative Programmer, Gwyn L Williams]
Wales Creative Programmer, Gwyn L Williams said,
"This is a wonderful opportunity for young film makers from all over the UK and a great example of how the Cultural Olympiad is beginning to grab the imagination of young people.
Film 15 has done a fantastic job in compiling 17 Welsh made films which will be shown at one of the greatest festivals in the world."
The Cultural Olympiad in Wales - Further Info
The films are:Summer Scars by Julian Richards,
On The Push by Undercurrents,
Butterfly by It's MyShout,
Dream Girl by FILM 15,
Triple Word by Paul Allen,
The life and Life of Horace by Tornado Films,
The Stut by Cinetig,
Dream Guy by Monmouth Film School,
Elvis Preselie by Galeri,
The Boat Man by Giles Thaxton,
The Farmers Daughter by Tornado films,
Chucks by Katy Ruffy/FILM 15,
Mona by Sean Harris,
Wild West Wales by Seimon Lea/FILM 15,
Nutty Biscuits by Danny Dixon,
Dewi Selmen, Andrew Alderton and Nick Davies/FILM 15,
Free Running by St Alban's RC High School,
Two Men and Their Ponies by Flycatcher films and
Mary and the Miners by Flycatcher films/Cantref Primary School.
For further information please contact:-
Emma Macey-Storch
T: 01650521615 M: 07887537935
E: info [a t ] film15.org.uk
Gwneuthurwyr Ffilm Ifanc o Gymru'n Serenni'n Glastonbury
Dewisir 17 ffilm gan bobl ifanc a gwneuthurwyr ffilm newydd o gymru benbaladr i'w dangos yng ngŵyl Glastonbury
Datblygwyd "Village Screen" gan Rhaglennwyr Creadigol Llundain 2012 er mwyn darparu llwyfan newydd ar gyfer dangos gweithiau gwneuthurwyr ffilm newydd.
Dangosir dros 85 awr o ffilm a baratowyd ar draws Prydain dros y pum diwrnod [dydd Mercher 24ain i ddydd Sul 28ain o Fehefin] ac fe fydd yn gyfle euraidd i gyflwyno Llundain 2012 a'r Olympiad Diwylliannol i gynulleidfa ehangach.
Ymhlith yr 17 ffilm o Gymru mae ffilmiau wedi'u hanimeiddio a rhai dogfen wedi'u creu gan bobl ifanc rhwng 8-18 mlwydd oed, ffilmiau gan fyfyrwyr, ffilmiau byr proffesiynol a ffilmiau hir wedi'u creu ar gyllideb fechan.
Darlledir y ffilmiau ar sgrîn ddwbl 25m2 ger y "pwynt cyfarfod" [man hynod boblogaeth ar y safle] ar ddydd Sadwrn, gan sicrhau y bydd pob un o'r 350,000 o fynychwyr yn gallu gweld y ffilmiau.
Meddai Gwyn L Williams, Rhaglennydd Creadigol Cymru, "Mae hwn yn gyfle euraidd i wneuthurwyr ffilm ifanc ar draws Prydain ac mae'n esiampl wych o'r ffordd y mae'r Olympiad Diwylliannol yn dechrau hoelio sylw pobl ifanc.
Mae Film 15 wedi gwneud gwaith gwych yn crynhoi'r 17 ffilm o Gymru a ddarlledir yn un o wyliau mwyaf y byd."
Enwau'r ffilmiau yw:
Summer Scars by Julian Richards,
On The Push by Undercurrents,
Butterfly by It's MyShout,
Dream Girl by FILM 15,
Triple Word by Paul Allen,
The life and Life of Horace by Tornado Films,
The Stut by Cinetig,
Dream Guy by Monmouth Film School,
Elvis Preselie by Galeri,
The Boat Man by Giles Thaxton,
The Farmers Daughter by Tornado films,
Chucks by Katy Ruffy/FILM 15,
Mona by Sean Harris,
Wild West Wales by Seimon Lea/FILM 15,
Nutty Biscuits by Danny Dixon,
Dewi Selmen, Andrew Alderton and Nick Davies/FILM 15,
Free Running by St Alban's RC High School,
Two Men and Their Ponies by Flycatcher films ac
Mary and the Miners by Flycatcher films/Cantref Primary School.
Am wybodaeth bellach cysylltwch ag:-
Emma Macey-Storch
Ff: 01650521615 M: 07887537935
E: info[ at ]film15.org.uk
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2009 Dr. Mark Leslie WoodsThursday, 26 March 2009
Doctor Who and Torchwood -- Participants required for research project: Screening The Nation: Wales and Landmark Television

Dear all,
You may be aware of a BBC Trust project being conducted at CCI by Professor Steve Blandford, Professor Stephen Lacey, Dr. Ruth McElroy and Dr. Rebecca Williams on the topic of ‘Screening The Nation: Wales and Landmark Television'.
Torchwood BBCi Teaser
We are collecting questionnaire responses to representations of Wales, primarily in Doctor Who and Torchwood. We therefore invite anyone who is interested to complete an online questionnaire for the project which can be found atIf you prefer to respond in Welsh please visitWe hope that some of you will be able to take part in this research and we look forward to reading some of your responses. We also encourage you to pass these links onto anyone else who might be interested.
Doctor Who Season 4 Trailer
Dr. Rebecca Williams
Research Assistant
Cardiff School of Creative and Cultural Industries
University of Glamorgan
Study Abroad in Britain, Europe and the U.S.A. / Canada Website.
Click here to go directly to my personal blog page called Adoration of Beauty and the Grotesque, on the World Wide Web.
Click here to go directly to my personal blog page called William Blake Spirituality: Toward a Theory of Horoscopes, Tarot and Tomorrow's Tea Leaves, on the World Wide Web.
Click here to go directly to my personal blog page called Courage 2 Create, on the World Wide Web.
Click here to go directly to my personal blog page called Grace-filled Empty Spaces, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2009 Dr. Mark Leslie WoodsSaturday, 14 March 2009
Cardiff ATRiuM: FREE Admission to live theatre performances begins 23 March 2009

Once again, the Cardiff ATRiuM makes news when the enormous crowd of new actors takes to the stage!
It's only the second year that the CCI Faculty has been in their new ARTS & MEDIA facility, the ATRiuM, located in the heart of the Welsh Capital City Cardiff, but already the ATRiuM has become a regional hub for performance studies related events.
If you'd like to take a peek, just to see why everyone is so excited, why not try something FREE?
[Pictured above: A Youtube post by Chris Wyatt; Short intro for a mock news programme at Cardiff School of Creative & Cultural Industries. Made using Adobe After Effects.]
My dear and esteemed colleague Professor Steve Blandford writes to us:
Dear all
On behalf of my colleagues I would like to invite you to come to at least one of the theatre shows that our final year students will be presenting all week, starting 23rd March. A PDF of the poster (designed by the fantastic Gareth Hughes) is attached.
Just as the art and design degree shows, film screenings, radio broadcasts, dissertations, music performances etc are the climax of their studies for many of your students these shows are the equivalent for those working in live theatre performance. It is always very much appreciated by the students (and us) if colleagues can find time in their busy schedules to support them.
As you will see there are 14 shows in all spread across the week. They are free, most are under an hour (and only fractionally longer in one or two cases) and therefore it is reasonably easy to fit one in.

[Pictured above: Internationally famous scholar Dr Rea Dennis, Senior Lecturer in Drama, Cardiff School of Creative & Cultural Industries, University of Glamorgan.]
Like all student work the standard varies, though unlike most written work these are open to very public scrutiny! Some times the work is outstanding and takes on a life beyond University.
One show from last year is still touring professionally and was taken up as a performance for schools and young people by Bridgend Local Authority as part of its response to the tragic events in the area over the last two years.
If you would like any more information please get in touch.
All best wishes
Steve
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2009 Dr. Mark Leslie WoodsSmart & Sexy? Your Queer Advantage is waiting!
Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.
© 2009 Dr. Mark Leslie WoodsThursday, 12 March 2009
Cardiff ATRiuM: Welsh Artist Iwan Bala ‘Culture in a Small Nation’ on March 18, 2009
[Pictured above: Iwan Bala.]
Wednesday 18th March - 3.30pm (Room CB403)
‘Culture in a Small Nation’Artist, Writer and Lecturer
School of Humanities and Creative Arts
Trinity College
Carmarthen.
Dydd Mercher 18fed Mawrth - 3.30pm
‘Diwylliant mewn Cenedl Fach‘
Artist, Ysgrifennwr a Darlithydd
Ysgol y Dyniaethau a’r Celfyddydau Creadigol
Coleg y Drindod
Caerfyrddin
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2009 Dr. Mark Leslie WoodsSmart & Sexy? Your Queer Advantage is waiting!
Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.
© 2009 Dr. Mark Leslie WoodsCardiff ATRiuM: George Ewart Evans Centenary Fête April 1, 2009

[Pictured above: George Ewart Evans (1909, Abercynon, South Wales – 1988) was a Welsh-born schoolteacher, writer and folklorist who became a dedicated collector of oral history and oral tradition in the East Anglian countryside from the 1940s to 1970s, and produced eleven books of collections of these materials.]
My esteemed colleague Professor Hamish Fyfe writes to us:
Dear Colleagues,
A date for your diaries
The 1st of April 2009 marks the centenary of the birth of the writer and pioneer oral historian George Ewart Evans. His name is eponymous to the Centre for Storytelling here in CCI. George was born in Abercynon but completed most of his seminal work in Suffolk.
The gathering here in Atrium on the 1st of April will bring together significant figures to consider his life, his work and his legacy..
These will include his son the former Faber and Faber Chairman Matthew Evans, David Gentleman the artist, Colin Thomas the film-maker our colleague the historian Gareth Williams who is Evans’s biographer.
If you know about Evans’s work come and join us in celebrating, if you don’t come and learn more about the man and his work from those that knew, read and have been influenced by him . . .
Hamish Fyfe
Professor Hamish Fyfe,
Cardiff School of Creative and Cultural Industries
Atrium, University of Glamorgan
Adam Street, Cardiff, CF24 2XF

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2009 Dr. Mark Leslie WoodsSmart & Sexy? Your Queer Advantage is waiting!
Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.
© 2009 Dr. Mark Leslie WoodsFriday, 6 March 2009
Learning About Deal-Making in the International Audiovisual Industry

8th Annual Miami Short Film Festival
For a lot of students who desire to become producers, there's got to be a shock when first exposed to the 'legalese' speak of entertainment lawyers and barristers.
Recently I needed to shift gears: I thought I would be developing a new feature film this year, but the worldwide credit crunch put that on hold for the time being.
But I had already started trading with my new company, and I needed to find ways to develop cash flow.
In a report on filmmaking by the British Council last year, and emphasis was made on developing 'diversified revenue streams' for small producers to stay afloat.
The projected areas of growth included New Media and international co-productions:
The UK Association of Independent Film Producers (PACT) supports the decision of our company to ‘diversify’ our ‘revenue streams’, and not only to rely upon feature film production:
“The call to arms for independents is you better start growing those other revenue streams,” said Oliver. “You’ve got to look at what your share of revenue is from secondary and new media exploitation and if that’s sufficient. That means a shift in business focus to maintain momentum.” (PACT 2008a: 7)
This year, for example, both new media revenues and international revenues were down. Over the last three years, though, both areas have shown significant growth, and as revenues from UK primary commissions begin to level out, both markets are going to be key to the continued growth of the sector. (PACT 2008a)
PACT (2008a). Independent Production Census. London, PACT UK Independent Film Producers Assocation.
We have already 'diversified' and we're going after production contracts in specialty 'niche market' areas, which other market research tells us might be a better bet to 'weather out' the global credit slow down for feature films.
Either way, I found myself having to know an awful lot recently about U.S. financing, as well as international co-production treaties and contract details.
I found that a course I took at the Miami School of Entertainment Technology when I was doing the Associate of Science program in Film Production Technology really came in handy, so thanks Prof. James, where ever you are right now.
The Miami Dade College School of Entertainment and Design Technology
I had such a great time studying film at Miami-Dade College!

And for that class we used a fantastic book, which is still current and helped me in my 'catching up' again with legal and contract details, by Mark Litwak:
Here's more about the book:
Dealmaking is the first self-defense book for everyone working in the film and television industry, Addressing a general, non-attorney readership, it is a fascinating, highly accessible and practical guide to current entertainment laws peculiarities and "creative" practices.
Armed with this book, filmmakers can save themselves thousands of dollars in legal fees as they navigate the entertainment business's shark-infested waters. Whether you are a professional or wannabe producer, writer, director, or actor, Litwak can help you make the most of your business dealings while steering you clear of contractual traps.
The second edition of this popular book contains hundreds of updates and revisions of the first edition and includes two new chapters: Legal Remedies and Retaining Attorneys, Agents, and Managers.
I think everyone should have copy of this book in their library, especially if they hope to work in the US or do co-production deals that involve talent or crew from the states or Canada.
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2009 Dr. Mark Leslie WoodsSmart & Sexy? Your Queer Advantage is waiting!
Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.
© 2009 Dr. Mark Leslie Woods